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LensDiaries.com, Let the Stories Be Told

In today’s world of being anyone, including a photographer, we have to constantly evaluate our situation and adapt to the changing times, so I’ve launched LensDiaries.com, my new hybrid photoblog created to spread the gospel of photography as I transition away from an exhaustive, 11-plus years of conducting over 450 photography workshops and seminars to thousands of people around the world. At LensDiaries.com you’ll find the stories and technical specifications of photos I choose for your insight in my photography. This photoblog is an extension of the five photography books I’ve published–so please help me spread the passion of photography.

With your support I will add photography tips and multimedia content along with photo critiques. For the inquiring minds that want to know, I will continue to conduct workshops and seminars, but on a very limited basis starting in the Fall of 2010. This will allow me more time to continue with my writings, future books and my photography. My focus is aimed at smaller, more exotic workshops to provide a more semi-private and a more intimate environment that you sometimes lose in a larger workshop environment. I’m always available for private photography instruction, just contact me here with your contact information and best time to call.

I will still blog on this site and inform you of my schedule and other items that I feel are better left on here, on my personal blog. On occasion, you will see a replication of content on both blogs, but remember, this site is a more personal blog and LensDiaries.com is a hybrid of a photoblog and blog, so both sites will have unique content too. I will also shift my focus from workshops to concentrate on Photographic Therapy, as a concept and the website, PhotographicTherapy.com. I hope you’ll visit all three sites.

Overtime, with your support, LensDiaries.com will transform into a more established photoblog–-this is a photographic journey we can accomplish together. Finally, I close by saying that I need your help to spread the gospel of photography by tweeting all the blog entries both here and on LensDiaries.com. Please tell all your friends and colleagues through all the social media networks—there are Facebook “like” and Twitter “retweet” buttons, please utilize them, every tweet and mention helps. Let’s spread the knowledge together. Let the stories be told! Thanks, Rolando

Adobe Photoshop Hits 20!

Rhonda, photographed almost 20 years ago!

Rhonda, photographed almost 20 years ago!

 

While many photographers of today were just infants in diapers twenty years ago when Adobe Photoshop version 1.0 was introduce, I still remember, back in my military days, when there were no bells and whistles with Photoshop,, it was merely a software tool targeted more for the graphics crowd.  Today however it’s evolved more toward photographers and with the advent of other Adobe products like Lightroom, and photographers are in hog heaven now that it’s synergized with the evolution of digital photography.

 

Knowing how to use Photoshop today is more of a skill then back in the simplistic days of mere cropping, dodging and burning than anything.  Now we have smart objects, layers, adjustment layers, masks, the magic wand and even the healing brush—but has that made some photographers become more than photographers?  Are we photographers or image makers?  While I’m a big fan of Photoshop and especially Lightroom and I enjoy my Nik Software filters for Photoshop, I’ve seen too many photographers, especially those that are about as old as Photoshop, use Photoshop as a crutch, when in fact, Photoshop for photographers should be more like the old days of a darkroom, which literally means a “room of corrections” in Latin.

Photoshop should be used to tweak an image, for photographers that is, not the ultimate savior, for a photo shoot gone wrong.  In the past six months I’ve been fortunate to work with Playboy’s number one photographer, Arny Freytag, whose resume records a Brooks Institute of Photography degree, former assistant to the famed Playboy photographer Ken Marcus, and 34 years at the big bunny studios amongst numerous other credits.

Eva, photographed 11 years ago, on slide film, no Photoshop!

Eva, photographed 11 years ago, on slide film, no Photoshop!

I’ve been fortunate to have Arny as our guest at the past glamour photography workshops held at the Palms Casino, Sky Villa Penthouse and the Los Angeles Hollywood Castle and there is always a recurring theme with Arny—do it right in the camera.  Use your wih lighting, intermixing of shadows, proper posing, great makeup and styling, and you’ll limit any Photoshop post-production to the bare minimum just like in the old days of Photoshop version 1.0.  It’s not that Arny doesn’t believe in digital photography, it’s just that he’s proven at my workshops and with recent private instruction clients that if a photographer knows what they’re doing, then it’ll be captured in the camera correctly.

I’ve been helping Arny with private instruction clients, for the first time ever offered, where we worked with his crew at Playboy Studio West and it’s an amazing experience. Arny pulls out old 8 x x10-inch transparencies and proves to the client that without retouching or airbrushing, perfection can be achieved in the camera.  There was no Photoshop back in the non-digital days and especially with large format slide film, if there were any imperfections, you’d surely see them but, Arny proves with the right photographic tools, little if any post-production needs to be applied after the shoot.

While some of those secrets, especially with lighting, I’ll reveal in my upcoming lighting book, you can still learn them hands-on, but you have to be at least two years younger than Adobe Photoshop or older.  If you’re ready to tackle this intense training, feel free to contact me for private instruction with Playboy’s top photographer.  While this is no cheap experience, if your budget can’t cope with the world’s finest photographer in glamour and nude photography, we’ll have Arny as our guest for the first part of the Phoenix Mansion workshop later this year. 

While Adobe Photoshop celebrates it’s 20th birthday, one can only tell what Adobe Lightroom will be like on it’s twentieth birthday as it’s beyond the diaper stage but still in it’s infancy as it looks at big brother Photoshop to help it mature for digital photographers today.  Thanks, and don’t forget our military service members, their families, and friends, without them, we’d have no freedom to manipulate any images in Adobe Photoshop.  God Bless, Rolando.

Glamorous

While I personally prefer listening to country music, most models today listen to various types of music, including the more hip music. While conducting my Virgin Islands workshops, we have the ability to plug-in an I-Pod, or in my case, my I-Phone, which has caused me to download songs from I-Tunes, more in tune with the younger model crowd

I often use music to get my creative juices flowing, whether writing articles or books, or when photographing models on location, especially in the Virgin Island, Glamour, Beauty and the Nude workshops. I tend to choose music that will relax the models and get them moving and with glamour photography, one song that seems to get the models, and even me, flowing, is the song by Fergie called Glamorous.
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Workshops that Don’t Pay Models–BLAH!

Will we’re getting ready to for our main event, "Back to the Ranch" (BTTR) next week, featuring some top, top photographers as guest instructors, so I’m running like a chicken with my head cutoff right now! Whew! As we line everything up for what promises to be the best event of the year, 30 photographers, 15 models, 5 VIP photographer instructors, 5 mentor/assistants, 4 make-up artists and an outstanding location, we’re actually updating the website for the ranch event, though it’s basically sold-out! It sold-out before we could even finish the website and it was just announced after the 4th of July holiday! Imagine that?

That’s what happens when you get some great models, though only a few were mentioned. Why are we able to get some great models for all our events? The answer is not hard and I took an excerpt from the BTTR website and put it here for you to see below. Often I see other workshops "poking" fun at my "releases," implying that we suprises our photography workshop attendees–not so, it’s on every photography workshop web page, and the release are always voluntary, though encouraged. Besides, other workshops provide, very questionable promotional releases.
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