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Tampa, Editorial Nude, Glamour, Beauty, Nude Photography Workshop

March 18, 2012 By

Date: July 21st, 2012 (Editorial Nude) Saturday Only!
Date: July. 22nd, 2012 (Glamour, Beauty & the Nude) Sunday Only!
Time: Each Day, 9:30 a.m. till 5 p.m.
Location: Private Residence
Prices: Photo Workshop Prices $399 Both Workshops, $299 Editorial Nude Workshop, $199 Glamour Beauty and the Nude Workshop (Save $150 or more right now! No other discounts!)

By popular demand, we’re headed back to Florida for 2012 as reduce our workshop tour–2013 will be very limited. This is one of the few cities where we’re offering both the Editorial Nude and the Glamour Beauty and the Nude workshops–these are two separate workshops! Attend one, attend both. Your choice!

These are special, one-day workshops at a residence in the Tampa area. These workshops are limited in size and we’re featuring five gorgeous models. Future workshops will be exclusive and obviously more expensive to attend–so don’t hesitate, this is your chance for a one-day editorial nude and a one-day glamour photography workshop with many models at a great price and location!

These workshops are open to photographers of all levels, beginners to advanced, though you must be 18-years or older to attend. We’ll have a small lecture both days, then we shoot, shoot, shoot, five talented models with Rolando providing hands-on instruction. First-come, first serve! Limited in size! Once it sells out, it’s sold-out!

Here are the particulars:

1. You must pay for your own lodging and travel, we’ll provide suggestions.

2. Bring your camera, preferrably a DSLR. It must have a hotshoe (where you flash slides on top) or as a minimum, a PC connection for our studio flash–we provide all equipment.

3. You must have the passion to photograph up to five beautiful models. The type of photography is glamour, beauty and nude photography for most models. You will have almost a whole day to photograph them in all their beauty, from glamour to glamour nude.

4. While it’s intense, we’ll have fun in this educational experience. We’ll provide lunch, you provide the coffee if you need it, but surely bring some Red Bull for energy because this is an energized workshop.

5. Camera requirements are any type of camera, preferably 35mm DSLR or SLR, medium or large format is optional. Lens focal range, from 24mm to 200mm, though a typical 70-200mm lens is all you need. A back-up drive to download your images every evening and/or laptop computer is highly recommended. If you have a Sony (Minolta) camera, please ensure you have a hot shoe adapter or PC connection.

6. Professionalism is required, we’re there to capture beautiful images of beautiful models. If you have Pocket Wizard remotes, bring them too, though not required as we’ll have our own radio triggers. We’ll work with beauty dishes, soft boxes, reflectors and more, all provided by us!

If you can meet the requirements and you have the passion to create some beautiful, unique images, this is the workshop for you. We accept payments securely through PayPal and have other options if you prefer. This is a first-come, first-serve event as class size is limited. Model releases are optional. This is the early-bird price, prices will go up soon, so don’t delay, book now before it’s too late! Please use the PayPal button to select either one or both workshops. We’ve used PayPal securely for 13-years. You must be over 18-years of age to attend.

Choose Workshop(s)

Model releases for each event are $60 per model at the end of the day. These are voluntary releases, but highly encouraged as these models will be working for you. These releases are provided and allow you to use the images for commercial use and the only restriction is prohibited use for adult related material—nudes are artistic and glamour nude only at this workshop when it comes to nudity. Each workshop requires a separate model release as they are two separate workshops.

You are required to arrive no later than 9:30 a.m. local time on both workshop days. You may only attend the workshop(s) you sign-up for, either each one separate or both. We end at 5:00 p.m both days.

Cancellation rules apply as this is a first-come, first-serve event limited in size. Don’t get left behind, don’t miss out on a wonderful opportunity. We can’t allow too many people on the property, it’s very limited in size, so don’t delay, act now an save before prices go up!

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July Boston Glamour/Nude Photography Workshops

April 25, 2011 By

Date: July 28th, 2012  (Editorial Nude) Saturday Only!
Date: July. 29th, 2012 (Glamour, Beauty & the Nude) Sunday Only!
Time: Each Day, 9:30 a.m. till 5 p.m.
Location: Private Residence
Prices: Farewell Photo Workshop Prices $399 Both Workshops, $299 Editorial Nude Workshop, $199 Glamour Beauty and the Nude Workshop (Save $150 or more right now! No other discounts!)

By popular demand, we’re bank in Boston for 2012 as part of our photography workshop tour. Special VIP guest photographers too! This is one of the few cities where we’re offering both the Editorial Nude and the Glamour Beauty and the Nude workshops–these are two separate workshops! Attend one, attend both. Your choice!

These are special, one-day workshops at a residence in the Boston area. These workshops are limited in size and we’re featuring five gorgeous models. Once the farewell photo workshop tour ends, future workshops will be exclusive and obviously more expensive to attend–so don’t hesitate, this is your chance for a one-day glamour photography workshop with many models at a great price and location!

These workshops are open to photographers of all levels, beginners to advanced. We’ll have a small lecture, hands-on, then we shoot, shoot, shoot, five talented models. First-come, first serve! Limited in size! Once it sells out, it’s sold-out!

Here are the particulars:

1. You must pay for your own lodging and travel, we’ll provide suggestions.

2. Bring your camera, preferrably a DSLR. It must have a hotshoe (where you flash slides on top) or as a minimum, a pc connection for our studio flash–we provide all equipment.

3. You must have the passion to photograph up to five beautiful models. The type of photography is glamour, beauty and nude photography for most models. You will have almost a whole day to photograph them in all their beauty, from glamour to glamour nude.

4. While it’s intense, we’ll have fun in this educational experience. We’ll provide lunch, you provide the coffee if you need it, but surely bring some Red Bull for energy because this is an energized workshop.

5. Camera requirements are any type of camera, preferably 35mm DSLR or SLR, medium or large format is optional. Lens focal range, from 24mm to 200mm, though a typical 70-200mm lens is all you need. A back-up drive to download your images every evening and/orlaptop computer is highly recommended. If you have a Sony (Minolta) camera, please ensure you have a hot shoe adapter or PC connection.

6. Professionalism is required, we’re there to capture beautiful images of beautiful models. If you have Pocket Wizard remotes, bring them too, though not required as we’ll have our own radio triggers. We’ll work with beauty dishes, softboxes, reflectors and more, all provided by us!

If you can meet the requirements and you have the passion to create some beautiful, unique images, this is the workshop for you. We accept payments securely through PayPal and have other options if you prefer. This is a first-come, first-serve event as class size is limited. Model releases are optional. This is the early-bird price, prices will go up soon, so don’t delay, book now before it’s too late! Please use the PayPal button to select either one or both workshops. We’ve used PayPal securely for 13-years.

Choose Workshop(s)

Model releases for each event are $60 per model at the end of the day. These are voluntary releases, but highly encouraged as these models will be working for you. These releases are provided and allow you to use the images for commercial use and the only restriction is prohibited use for adult related material—nudes are artistic and glamour nude only at this workshop when it comes to nudity. Each workshop requires a separate model release as they are two separate workshops.

You are required to arrive no later than 9:30 a.m. local time on both workshop days. You may only attend the workshop(s) you sign-up for, either each one separate or both. We end at 5:00 p.m both days.

Cancellation rules apply as this is a first-come, first-serve event limited in size. Don’t get left behind, don’t miss out on a wonderful opportunity. We can’t allow too many people on the property, it’s very limited in size, so don’t delay, act now an save before prices go up!

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What Is An Editorial Nude?

October 28, 2010 By 2 Comments

As I transition more to authoring new books, blogging and participating more on GarageGlamour.com, many photographers have noticed that as part of my “Farewell Photo Workshop Tour,” that we’ve included our editorial nude photography workshops in some locations. This has brought a few emails asking for some clarification.

Simply put, there are various forms (genres) of nude photography, including fine-art nudes (which others fall into also), implied nudes, glamour nude, Playboy nudes, editorial nudes, and just about anything you can add the word “nude” to at the end of it.  You name it, someone is teaching it—the problem lies not in nude photography, but many so-called glamour and nude photography workshops are just gang-bang shooting of cheesecake nude photos—and you wonder why there are some photographers labeled GWC’s, guys with cameras?

Unfortunately nude photography is being diluted daily, so I decided that I’d add editorial nude photography years ago as a different workshop than my “Glamour, Beauty and the Nude” themed workshops—and after conducting almost 500 photography workshops, seminars and lectures around the world in the past 12-years, I think I’ve got a good hand on what is what when it comes to photography.

In the case of editorial nude photography, it’s basically nude images that help convey some meaning, not sex, not porn, but true meaning including sometimes the mood of the subject.  These types of images often tell a story, and sometimes have a great story behind them. It’s about mood, emotion, storytelling, lighting, shadows, and sometimes even controversial, though I tend to avoid the latter.

At my Editorial Nude photography workshops, we work with simple lighting modified normally with 7-inch metal reflectors and metal grids.  The concept is to use shadows in your favor, tell the story, and to get away from marking the treasure map “X” on the floor—in other words, we don’t want you just standing there, we want you moving around the subject so you can see how the “Angle of Incidence Equals the Angle of Reflection” physics law come to play in photography.  We also ask you to turn your camera, not just plain horizontal or vertical images.

These types of images you could sell in art galleries, these are not cheesecake glamour nudes, these photos help you create are artistic but more important, solid and worthy of hanging in art galleries.

Now when we do your “Glamour, Beauty and the Nude” themed workshops, we use larger light modifiers, like 7-foot Chimera Octaboxes, 4-foot by 6-foot softboxes, beauty dishes, ringflash, California Sunbounce Pro reflectors and the list goes on—normally lighting used for editorial nudes is not the type we’d use in glamour photography.  Still not sure, well please visit EditorialNudes.com, my editorial nude photoblog that I just launched—it’s expanding with more images, so please be patient.  For now, since we don’t want to upset Google advertising, we can’t post images here, but you can find them at EditorialNudes.com.  Thanks, Rolando

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The Angle of Incidence Equals the Angle of Reflection

June 15, 2010 By 1 Comment
Often the Law of Incidence Equals the Law of Reflection is used to fill the "micro pores" of the face using this over/under lighting technique. In this case, the ringflash fills the pores of the face since the camera is mounted on it. The main light is slightly higher in power output above the ring flash.

Often the Law of Incidence Equals the Law of Reflection is used to fill the “micro pores” of the face using this over/under lighting technique. In this case, the ringflash fills the pores of the face since the camera is mounted on it.

The main light is slightly higher in power output above the ring flash.  The beauty dish is directly underneath to provide a “kicker” light, or softening of the shadows.  The photographer is shooting through a ring flash between the beauty dish and the main light above.

In physics, the law of reflection states that the angle of incidence is equal to the angle of reflection. This tenet is fundamental to the understanding of light and can be summarized thusly: if light strikes an object at angle A, it will be reflected in the opposite direction, also at angle A, similar to the way a ball bounces off a brick wall. In photography, the law of reflection is rarely discussed; one typically hears more about the Inverse Square Law or that white reflects and black absorbs. While these are indeed important aspects of light, the angle of incidence and the angle of reflection are two components of physics that, once understood, can help photographers improve their images they create in both artificial and natural light.

The easiest way to comprehend this concept is to go into a place that has hard, shiny floors and overhead lighting (grocery stores work great!). Look down while you walk and you’ll see hot spots of light on the floor move with you as you walk. These hot spots are the direct reflection of the overhead lighting, and they evidence the law of reflection. These equal angles of incidence and reflection can cause hot spots on your subject too. Understanding the law of reflection will help you avoid hot spots on your subjects, whether you are photographing models, cars, food, or landscapes. In fact, managing these equal angles of reflection in your photographs allows you to add or eliminate texture and color in your images.

The white spots or highlights in this image of candles is where the angle of incidence is equal to the angle of reflection, thus the hot spots.

The white spots or highlights in this image of candles is where the angle of incidence is equal to the angle of reflection, thus the hot spots.

The law of reflection is also responsible for the red-eye effect that plagues ring flash users when shooting through the ring. Because the camera’s lens is at the same angle to the subject as the flash, the reflection of light against blood vessels in the retina at the rear of the eye produces red-eye. An easy way to eliminate red-eye is to brighten the room; this causes the subject’s pupils to contract, thus greatly reducing any reflection. Another method is to take a monolight with a 7-inch 20 degree grid and point it at your subject’s face with only the modeling lamp powered on (not the flash unit itself). Many flash units, including the Broncolor, Hensel, and Profoto brands have separate switches for the modeling lamp and electronic flashtube, allowing them to be powered separately.

The law of reflection is especially troublesome when glass or mirrors are present in the image. The equal angles of incidence and reflection cause hot spots in glass and mirrors when using a flash. The simple solution is to move the flash away from the camera so that the angles are not identical.

In the studio, you can use the monolight red-eye reduction technique described above in a darkened room. This will allow you to show more of your subject’s iris and less of their dark pupils. The technique works well with light-colored eyes, especially green and blue. Don’t be alarmed by the appearance of harsh shadows on one side of the nose, as the power of the artificial flash will knock this out when it fires

The stars created in the crystal flower are because the angle of incidence is equal to the angle of reflection.

The stars created in the crystal flower are because the angle of incidence is equal to the angle of reflection.

By moving the camera and light source(s) independently, you can use the law of reflection in your favor, almost like an added layer of makeup to smooth your subject’s skin. As you walk around your subject, you will notice that hot and washed out spots will appear and disappear based on the angle of reflection. You may also notice that your model’s face appears smoother from one angle and rougher from another angle, as the valleys of the pores are filled in with shadows. Through positioning your camera and light sources independently, you can eliminate hot spots and create the appearance of a smoother skin texture.

Because the vast majority of what we see is reflected light (as opposed to incidental light), we as photographers live in an illuminated world. Without light, we would have no images to capture, and humans would see nothing but perpetual blackness. Understanding the law of reflection will allow you to outshine your competitors, as your photographs will take advantage of one of the fundamental laws of the universe and stand out from those created by your peers.  Well that’s it for now, please don’t forget our military troops, their families and friends, as they all sacrifice to keep our nation strong and free–God Bless! Rolando

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