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The Many Characters of Chairs

Chairs come in many shapes and forms and are constructed from an almost limitless variety of materials. This makes them a great posing aid for models. Don’t get caught up in believing all chairs have to have four legs. While working in the Virgin Islands, I recently photographed a model sitting on a palm tree that came out almost horizontally before it rose vertically—thus it was a great chair. (Though you must be careful when sitting a scantily clad model on a tree; there can be ants or other bugs!)

Digital Photography Hi-Key Lighting, Studio, Chair, Blonde Model

Chairs are filled with character. Sometimes the chair back itself has a nice carving that accentuates the model’s pose. If the back of the chair has vertical slats, they can literally point the viewer to the model’s face—especially when the model is straddling the chair and facing backwards (which is a great way to hide the tummy)!
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Observing Model Leads to Photo

The Moab existing light, photographic experience continues as we discuss how observing models can sometimes lead to some great ideas or concepts in photography. In this particular image, the model, Jenni, decided to check her make-up while resting as I was off shooting model KT.



A photographer should always look around, sometimes you’ll even get ideas from an assistant toying around a photographic set or location, but in this case, what caught my eye was the reflected light on the model’s face. In fact, I even had KT hold the compact, make-up case mirror from a short distance out of camera view so it would reflect light back on Jenni. Ultimately the final image, shot in existing light with a Leica M8 digital rangefinder camera, was from what I originally observed, though I had the model standing instead of sitting on the ground.

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Photography Studios & Location

Studios are often perceived as a room were musicians, painters and photographers and other artists create their art, often in a building of some type, surrounded by four walls that isolate the artist from the outdoor environment.

In the case for photographers, the ideal studio includes at least one bathroom, a make-up room, an equipment storage area, a kitchen, and in some case windows that allow ambient light to filter in. The windows would of course have the ability to be “blacked out” for controlling or eliminating ambient light, or crazy onlookers from disrupting the “set” and shoot. [Read more...]

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Framing Industry Conspiracy

I’ve lectured and taught photography to thousands of people over the past decade with over 250 workshops and seminars around the world and often people tell me, or I see it when they are shooting while “chimping” with their LCD screen, how they leave room for cropping their images to make the photo fit a matte and/or picture frame.  Obviously this is a problem more inherent to the United States, not for Europe.

My first thought is why? My second thought is you obviously have never worked with a photo editor for publication. My last thought is you probably bought your camera based on mega-pixel hype, or on the Jones’s standard, I have more mega-pixels than you.

Let’s look at the why part first. We’re a society that tends to be programmed as we grow up in life. Most of use grew up with (in inches) 11×14′s, 8×10′s, 5×7′s and the 3 1/2 x 5′s, the latter made famous by the Noritsu one-hour mini-lab explosion of the 1980′s. Though the 3 1/2×5′s graduated to 4×6′s, our problems with mandatory societal-cropping (think frames, mattes and photo albums) still didn’t end with our 35mm format cameras. Part of the non-ending I base on what I like to call, “the framing industry conspiracy theory” to sell us mattes with our frames. And to ground my theory, let’s look how it all developed, no pun intended, or the second part of obviously you’ve never worked with photo editors or editors before. [Read more...]

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