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Everyone is a Photographer Today

Technology today seems to make everyone a photographer. The introduction of inkjet printers and digital cameras in cell phones seems to make everyone believe they can contribute to the royalty-free market. While I encourage the gospel of photography and love to see new photographers evolve, the evolution of a slow photography market didn’t start recently with the current economic state and the evolution of digital cameras. Though it should take some credit, the real dilemmas facing photography started before digital cameras in the late 1970’s when the first one-hour mini-labs entered the market, thus creating a slow, chain reaction as photographers and the photo industry today scramble for new ways to survive.

When the first mini-labs entered the market, from the Nortisu QSS systems to the smaller KIS systems, the face of photography changed. Some may argue it all started with the Canon AE-1 a few years before, but in realty, the AE-1 only forced camera manufacturers to spend more money on research and development for cameras that provided more than manual modes of operation.

These one-hour, photofinishing, assembly-line machines opened the door for a new market, initially mom and pop photofinishing labs that would evolve into photo studios (by offering passport photos and baby pictures), photo copying factories and even camera stores. The long-standing camera stores, which rarely made profits on actual camera bodies (low turn-over inventory items) and only on point of sale and peripherals products like filters and frames were either forced into photofinishing and adding their own photo studios, thus ultimately competing against their own customer—the professional photographer. [Read more...]

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Existing Light in Moab

This is first in a series of “How it Was Done” and I begin by taking you to the Moab, Utah’s Canyon Lands. While the concept of this section is to focus more on how a photograph is created, I decided for this first article I’d provide information on an entire photo shoot that created some wonderful images, rather than just one image. More of the images from the Moab Natural Light Portfolio are available for viewing in our portfolio section of this site, so here I’ll provide a couple of images and establishing shots to give an overview of the terrain and location involved for this one-hour shoot.

First, we flew three models into Utah, two to Salt Lake City, one to Grand Junction. All three I’d worked with before. The logistics to the Moab make it challenging at times, but since I had a fellow photographer and private instruction client, Brian W., who is more attune to the area, the trip was a bit easier. Brian picked one of the models up from the Grand Junction airport while I flew into Salt Lake City, where I’d pick up the other two models and the rental car.

(Two of many photos from the location, all done in one hour! For more photos, click here!)



While there is a small airport in Moab, it’s limited in what it can provide and based on prior experience, the drive from Salt Lake City, about 240 miles, is scenic and well worth the savings of flying into a major airport than a small regional airport. Grand Junction is about 120 miles and located in Colorado, limiting the airlines and flight schedules, hence I chose Salt Lake City. It’s best if flying into Salt Lake City that you arrive early enough to claim your bags, get a rental car and be able to drive while it’s daylight. Make sure you have a full tank of gas and plan on stopping half way there for a refill just as a precaution.
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