87247 Followers, Follow Me! ------>
mailing list
Youtube Video Channel
photography profile linkedin
Tumblr Instagram Photo Blog
Editorial Nude Photography, Tips, Photos
Lens Diaries Photography, Tips, Photos

490 views

San Antonio, PostProduction Workflow Plus Model Shoot

Date: July 14th, 2012 Saturday Only!
Time: 9:30 a.m. till 5 p.m.
Location: Private Location on the Northwest side of San Antonio, announced only to attendees.
Price: $399 Early-bird price initial sign-ups, save $100 now before it’s too late!
BONUS: FREE Glamour, Beauty And The Nude photography workshop on June 30th is included for all attendees. (workshop info for June 30th is here, but it’s FREE when signing up for this workshop)

Learn The Master’s Secrets—While postproduction is no secret, there are secret tricks top pros don’t often share! Now here’s your chance! Limited to FIVE photographers!

Many photographers ask me about my postproduction workflow and my first response is, “Get it right in the camera first.” Obviously like all photographers shooting digital photography, photos must still be downloaded, photo edited, then once photo editing is completed, the editing of photos begins. It’s this workflow, called postproduction, where photographers fumble, so I’ve decided to do something I’ve never done before—offer a postproduction workflow class that includes photographing a model first, then showing you how to take it to the final processed image for printing and web output.

Moab Photography Workshop Model Photo

This photo was taken at the recent Moab photography workshop and postproduced on my laptop.

Unlike other classes where you sit behind a computer and the instructor waits for everyone as they go through editing an image step-by-step, I’ve decided a different approach—we’re going to shoot a model or two live, then download to my computer and I’m going to teach you how to “photo edit” first before we begin editing the selected photos.

We’ll go through how to light and shoot the model for minimal post production, what makes a photo great during the photo editing process, then the secrets, such as adding an almost transparent layer of black and white in post production for a final color photo. This is neat little trick I rarely share. We’ll use Adobe Photoshop, Lightroom and Nik Filters—you’ll get my secrets, some not found on my online videos and how-to blog posts.

This is a first-time seminar/workshop but not the first time I’ve taught, but, perhaps this is the only time I’ll offer this unique experience as I walk you through input to output of a final image on my personal computer. This class is limited in size to only five photographers—that’s it. And there is a bonus, those five photographers get the June 30th San Antonio photography workshop free—just pay for the model releases.

Unlike any other postproduction instruction, this is my way of post-producing images. My secrets, my computer, my photos and then, we’ll walk you through with one of your photos. You’ll learn how to clean blemishes off the model’s skin—the most simple way out there possible. You’ll learn how to optimize your files for web and print use too, along with working in the right formats during postproduction.

This class only requires basic Adobe Photoshop knowledge, like how to open a file in Photoshop. We’ll walk you through step-by-step. While not required, it’s beneficial if you bring your laptop. So in a nutshell, you will photograph at least one model, if not two, then we’ll move on to a master’s approach on postproduction and workflow.  There is a model fee of $50 per person plus the workshop/seminar costs of $399.

Use the PayPal button below for the early-bird price of $299, limited to the first few sign-ups. Save $100 before the price goes up to now! We’ve used PayPal securely for almost 14 years now, so don’t delay!

This is the early-bird price, prices will soon go up, so don’t delay, book now before it’s too late! Please use the PayPal button above. We’ve used PayPal securely for almost 14-years.


Here are the particulars:

1. You must pay for your own lodging and travel.

2. Bring your camera, preferably a DSLR. It must have a hot shoe (where you flash slides on top) or as a minimum, a pc connection for our studio flash–we provide all lighting and backdrop equipment.

3. While it’s intense, we’ll have fun in this educational experience. We’ll provide lunch, you provide the coffee if you need it, but surely bring some Red Bull for energy because this is an energized workshop. Sign-up for this workshop only if you have the passion for photographing gorgeous models.

4. Camera requirements are any type of camera, preferably 35mm DSLR or SLR, medium or large format is optional. Lens focal range, from 24mm to 200mm, though a typical 70-200mm lens is all you need. A back-up drive to download your images is highly recommended. If you have a Sony (Minolta) camera, please ensure you have a hot shoe adapter or PC connection.

5. Professionalism is required.

If you can meet the requirements and you have the passion to create some beautiful, unique images, this is the photography seminar/workshop for you. We accept payments securely through PayPal and have other options if you prefer. This is a first-come, first-serve event as class size is extremely limited. There is a $50 model fee, currently one or two models will be utilized for this training seminar/workshop.

Unlike the other photography workshops with a voluntary model release option, there is a $50 mandatory model fee for each model that includes a commercial use release. Maximum models for this event is two, thus the model fee will not exceed $100.  The release is provided by us and allows you to use the images for commercial use and the only restriction is prohibited use for adult related material.

You are required to arrive no later than 9:30 a.m. local time on the workshop day and no earlier than 9:00 a.m. We end at 5:00 p.m.

Because this is a very small seminar/workshop, there are no refunds, credits or exchanges should you need to cancel or fail to appear.

Share

RAW verses JPG is Not The Problem

Fourth photography book, available for order at Amazon.com. 

 

Fourth photography book, available for order at Amazon.com.

Like most photography forums, the questions always arises, “RAW or JPG?”  Problem is, many participating in the forum threads don’t understand the “RAW” concept itself—but the arguments follow like MAC verses Windows (Notice I didn’t say PC, PC stands for Personal Computer, every home computer is a PC).  If people would first familiarize themselves with what RAW really is, as there is no “single” or “standard” RAW format, (See Wiki def.) then they would understand, RAW has it’s pros and cons.  One of those cons is that there are hundreds of RAW formats, even within camera models made by the same camera company, not all RAW formats are created equal–most use compression, encryption and almost all are proprietary to the camera manufacturer.

I personally shoot what is appropriate for what I’m doing–it all goes back to using the right tool for the right job.  While I’ll shoot the RAW format on my Canon 5D Mark II, most of the time, I shoot JPG, unless the client needs RAW or I feel the image has “evergreen” value.  You only run into problems with JPG’s if you open the original file, make a change, then save it, then open it again, make a change then save it.  That is why workflow is so important.  So if you shoot JPG, it’s always best to open the file and save out as a TIFF original, make your back-ups, then make your working copy as a TIFF too, then you can final out into the format your client prefers. Heck, most people don’t even understand the difference between the “save as JPG” and “save for web JPG” in Adobe Photoshop.

Let’s not forget that the acronym JPEG means Joint Photographic “Experts” Group and it’s a “standard” format that has been around long before RAW. RAW has no standard format, though many have been trying to adopt the DNG (Digital Negative) RAW format, but most camera companies, since they like to sell their own RAW “converter” software ($$$), don’t want to adopt this standard. My advice, do not get caught up in the marketing hype when it comes to RAW.  JPG will be around, just like TIFF (Tagged Image File Format) for a long, long time, though RAW formats change everyday and some RAW formats, may not be supported in the future. I can name at least three camera companies long gone, Minolta, Contax, Bronica and I’m sure others will follow along with their “proprietary” RAW formats.  FYI–a few companies, like Leica, use DNG and DNG is what was started, supported and still pushed by Adobe.  Problem is, camera companies cannot make money off the DNG format anymore than the JPG or TIFF formats.  RAW formats are derivatives of the old workhorse TIFF format.

I’ve been fortunate enough to work with private clients at Playboy Studio West this year with their top photographer Arny Freytag (Ken Marcus’s former assistant) and when Arny pulls out “perfect” 8×10 transparencies, not retouched, and shows them to our clients, that says it all.  (Read more here.)  And today, Arny shoots with the Canon 5D Mark II while the 1DS and the HD-39 sits on the shelf along with his wooden 8×10 camera. And for the record he shoots tethered and the files are dropped into Phase One, Capture One software instantly, for minimal post-production–because it’s done right with lighting! (Make-up, styling, posing, the angle of incidence to reflection and a great model help too!)

I recently conducted a glamour photography workshop in Las Vegas (Dec.) and in Los Angeles (Feb.) and Arny was our guest instructor and he demonstrated some great “over and under lighting” to keep the face clean, the eyes bright, but more important, in the LA workshop, we tethered the attendees camera into his assistant’s laptop.  Arny proved to the attendees how to get it right in the camera, RAW vs JPG was not the issue. Getting it right in the camera was the focal point. (Arny will join us at the Phoenix Mansion workshop if you want the experience.)

Bottom line–Get it done right at the shoot, capture it in the right format for your needs (right tool for the right job) with the right white balance, lighting, lens, pose, model, make-up, etc., but more important, it doesn’t matter how you capture it if you can’t capture it correctly the first time.  Don’t use formats, Photoshop, Lightroom, Capture One, or whatever as your crutch–get it right the first time and “spraying and praying” in RAW or JPG is not the answer. Well that’s it, don’t forget our military men and women, their families and friends–God Bless them all!  Thanks, Rolando

Share