As I transition more to authoring new books, blogging and participating more on GarageGlamour.com, many photographers have noticed that as part of my “Farewell Photo Workshop Tour,” that we’ve included our editorial nude photography workshops in some locations. This has brought a few emails asking for some clarification.
Simply put, there are various forms (genres) of nude photography, including fine-art nudes (which others fall into also), implied nudes, glamour nude, Playboy nudes, editorial nudes, and just about anything you can add the word “nude” to at the end of it. You name it, someone is teaching it—the problem lies not in nude photography, but many so-called glamour and nude photography workshops are just gang-bang shooting of cheesecake nude photos—and you wonder why there are some photographers labeled GWC’s, guys with cameras?
Unfortunately nude photography is being diluted daily, so I decided that I’d add editorial nude photography years ago as a different workshop than my “Glamour, Beauty and the Nude” themed workshops—and after conducting almost 500 photography workshops, seminars and lectures around the world in the past 12-years, I think I’ve got a good hand on what is what when it comes to photography.
In the case of editorial nude photography, it’s basically nude images that help convey some meaning, not sex, not porn, but true meaning including sometimes the mood of the subject. These types of images often tell a story, and sometimes have a great story behind them. It’s about mood, emotion, storytelling, lighting, shadows, and sometimes even controversial, though I tend to avoid the latter.
At my Editorial Nude photography workshops, we work with simple lighting modified normally with 7-inch metal reflectors and metal grids. The concept is to use shadows in your favor, tell the story, and to get away from marking the treasure map “X” on the floor—in other words, we don’t want you just standing there, we want you moving around the subject so you can see how the “Angle of Incidence Equals the Angle of Reflection” physics law come to play in photography. We also ask you to turn your camera, not just plain horizontal or vertical images.
These types of images you could sell in art galleries, these are not cheesecake glamour nudes, these photos help you create are artistic but more important, solid and worthy of hanging in art galleries.
Now when we do your “Glamour, Beauty and the Nude” themed workshops, we use larger light modifiers, like 7-foot Chimera Octaboxes, 4-foot by 6-foot softboxes, beauty dishes, ringflash, California Sunbounce Pro reflectors and the list goes on—normally lighting used for editorial nudes is not the type we’d use in glamour photography. Still not sure, well please visit EditorialNudes.com, my editorial nude photoblog that I just launched—it’s expanding with more images, so please be patient. For now, since we don’t want to upset Google advertising, we can’t post images here, but you can find them at EditorialNudes.com. Thanks, Rolando